Abraham is said to have overcome ten trials. Notice the way language links them: “Go…to the land I shall show” (Genesis 12:1) to “Sacrifice your son on one of the mountains I shall show you” (Genesis 22:2). Clearly then, Lech Lecha last week is linked with Vayeira this week, picking up just three days after Abraham’s circumcision, when his steadfast conviction affords him the ability to see the divine that is revealed in the mundane – a “showing.”
At this moment of divine self-revelation (known as a theophany), Abraham encounters three men, wayfarers approaching his tent — because of his special insight, he recognizes them as angels. Amidst the radical hospitality extended to these guests, one of the three announces that Sarah will give birth to a son in exactly one year, to which she can only laugh.
Later in the narrative, as the remaining two angels arrive in the doomed city of Sodom, Abraham pleads with God to spare the city. Finally and most famously, Abraham’s faith is tested when he is commanded to sacrifice his son on Mount Moriah (the Temple Mount in Jerusalem), where Isaac is bound upon the altar. As Abraham raises his knife to slaughter his son, a heavenly voice intercedes. And so Isaac is unbound only because a ram, caught in the thicket by its horns, is rebound and offered in Isaac’s stead.
This story, the Akeida, is a story of binding and unbinding. In a sense, it is the story of all religion — religio means “binding.” In obeying the divine command, Abraham takes on religion, binding himself and his son to Judaism; but the moment of unbinding Isaac is the truly religious moment, as each of us in our lives is free to choose anything, and thus we search for the divine beyond convention or expectation. In the unbinding, Isaac becomes a real person.
Our trials of life challenge each of us to live and participate fully in this world, to reach out with deeper empathy and compassion for and to others.
– Rabbi Aubrey Glazer
Artwork note: This week’s artwork is an abstract meditation on the morality of punishment. Why nine blue squares in a field of black squares? The illustration references Abraham’s dramatic interrogation of G-d’s plan to kill all the inhabitants of Sodom for the population’s sinful behavior. This famous debate results in G-d pledging to spare the city if just ten righteous men live there. Apparently, Sodom lacked even that small number, and G-d rained fire and brimstone upon the city, killing everyone. Although the story is usually celebrated as a foundational episode – we should, like our patriarch, Abraham, be in dialogue with G-d – it also raises challenging questions about group punishment and culpability. Illustration by Christopher Orev Reiger.