Community is founded upon shared values and built upon shared practice. The team of wise-hearted artisans who create the Tabernacle and its furnishings as detailed in the previous reading of Terumah (Exodus 25:1-27:19) are truly inspired and devoted. The co-operative nature of this communal art project is inspiring on many levels. The instructions Moses conveys regarding the construction of the Tabernacle require materials in abundance. Once asked, the response is immediate and the materials arrive in abundance: from gold, silver, and copper, to blue-, purple-, and red-dyed wool, as well as goat hair, spun linen, animal skins, wood, olive oil, herbs, and precious stones. It is likely one of the only capital campaigns in Jewish history where its leader had to ask the members to stop giving!
“My favorite things in life don’t cost any money,” Jobs’ once remarked. Jobs had clarity on the design of life, namely “that the most precious resource we all have it time.” With that in mind, the strange opening of this week’s reading now falls into place — Moses’ assembly of the Israelites begins with reiterating the importance of observing the Sabbath.
Making time sacred is the purpose of the Sabbath. The map of the soul’s journey, as Rabbi Lew (1945- 2009), z”l, taught, “…is the journey from isolation to a sense of our intimate connection to all being.” That journey, unique to each soul, happens regularly in spiritual community. It is only when we are dedicated to a spiritual practice as central as the Sabbath that we can truly build communal institutions of lasting value.
– Rabbi Aubrey Glazer
Artwork note: This week’s illustration is a depiction of a grape vine trained into the shape of menorah. The picture is inspired by theologian Rachel Adler‘s commentary on the Mishkan‘s menorah. She writes, “The menorah is not just any lamp, however. It is a giant lamp of unusual design…. We cannot sustain our presence at the original moment when a startled shepherd sees a terrible and wonderful sight: a tree on fire, unconsumed. We can only make a memory-tree to remind us of that moment, an artifice-tree of hammered gold, which we set afire, not abruptly, but with the choreography of ritual. Our reenactment distorts the story as it enriches it. The memory-tree is no humble wild thornbush, but the richly bearing fruit tree of the promised land, or the utterly stylized tree of modern ritual art.” Illustration by Christopher Orev Reiger.