(a) Meaningfulness: “My uniqueness is an important resource and influence for the group” – establishing an existential connection through the journey of the spirit;
(b) Belonging: “This is mine” – feeling a sense of ownership of the community over space and time, whereby this emerging community becomes part of the definition of my personal identity;
(c) Commitment: “I feel responsible for the general good of the group” – feeling a sense of responsibility for the spiritual and emotional well-being of the community;
(d) Mutual trust: willingness to join and help others without deep personal familiarity nor with any expectation, just the conviction that here this is what members of a community are doing, so will I;
(e) Devotion: determining the spiritual practice that galvanizes each of these aforementioned levels of engagement – feeling an embodied relationship to the Torah as a regular way of life.
Let us consider just how the team of wise-hearted artisans who create the Tabernacle and its furnishings were able to embody each of these lenses of community building. The co-operative nature of these instructions Moses conveys regarding the construction of the Tabernacle requires many precious materials. Once asked, the community’s response is immediate; the materials arrive in abundance: from gold, silver and copper, to blue-, purple- and red-dyed wool, as well as goat hair, spun linen, animal skins, wood, olive oil, herbs and precious stones. It is likely one of the only capital campaigns in Jewish history where its leader had to ask the members to stop giving!
How might we elevate our spiritual practice as a highest agenda, bringing together our boundless passions and talents so we can truly recommit ourselves to ensuring that all five lenses of community building remain on our radar, both in America and Israel – this is our ever-present challenge.
– Rabbi Aubrey Glazer
Artwork note: Parashat Vayakhel includes a detailed description of the menorah Bezalel crafts for the Mishkan. “And he made the menorah of pure gold; of hammered work he made the menorah, its base and its stem, its goblets, its knobs, and its flowers were [all one piece] with it.” (Exodus 37:17) Many generations later, Maimonides (the Rambam) drew a picture of the menorah based on the Torah’s description; he used only basic geometric shapes: circles, triangles, and half-circles. This week’s illustration is modeled on Maimonides’ unusual (and curiously contemporary) imagining. Illustration by Christopher Orev Reiger.