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Terumah — Exodus 25:1–27:19

“Color and I are one.“ So quipped Paul Klee during his 1914 painting journey to Tunisia, which he viewed as a major breakthrough for his art. He insisted that the trip enabled him to embrace his calling: “I am a painter.“ In this week’s reading, the Israelites are called upon to contribute a remarkable panoply […]
Facebook_CoverDesign_TerumahColor and I are one.

So quipped Paul Klee during his 1914 painting journey to Tunisia, which he viewed as a major breakthrough for his art. He insisted that the trip enabled him to embrace his calling: “I am a painter.

In this week’s reading, the Israelites are called upon to contribute a remarkable panoply of the most moral of all materials: gold, silver, and copper; blue, purple, and red-dyed wool; flax, goat hair, animal skins, wood, olive oil, spices, and gems. Together, these precious materials will allow the Divine to dwell in the details of the Mishkan (the portable desert Tabernacle). The command given to Moses could not be any more clear:

Make for me a sanctuary that I may dwell amidst them.” (Exodus 25:8).

The inner chamber is veiled by a woven curtain. That chamber is the sacred space where the Ark of the Covenant is placed, and the Ark houses the tablets of the Ten Commandments. On the Ark’s cover hover two winged cherubim hewn of pure gold. In the outer chamber, the seven-branched menorah stands and showbread is arranged upon a table.

The Tabernacle is the divine Artist’s template for a transformative encounter, all contained within a “living shell and skin of the earth on which we live” – that is how color and ritual life become one!

– Rabbi Aubrey Glazer

Artwork note: This week’s artwork is a graphic depiction of the Ark’s cherubim. “The cherubim shall have their wings spread upwards, shielding the ark cover with their wings, with their faces toward one another.” (Exodus 25:20) The profiles of the cherubim are eagle-like, a nod to the more esoteric descriptions of the cherubim provided by the prophet Ezekiel, the Kabbalists, and others. Illustration by Christopher Orev Reiger.

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