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Pekudei – Exodus 38:21 – 40:38

As we close the Book of Exodus, let us return to the challenge posed to our assumptions about the myth of the return of religion by philosopher Peter Sloterdijk in You Must Change Your Life (2014). Recall that Sloterdijk argues that it is not religion that is returning, but a mode in which humans are […]
Facebook_CoverDesign_PekudeiAs we close the Book of Exodus, let us return to the challenge posed to our assumptions about the myth of the return of religion by philosopher Peter Sloterdijk in You Must Change Your Life (2014). Recall that Sloterdijk argues that it is not religion that is returning, but a mode in which humans are practicing, training beings that create and re-create themselves through exercises and routine, ultimately transcending themselves. What is the exercise being described here in the construction of the Tabernacle?

As detailed last week in Vayakhel (Exodus 35:1-38:20), this is an ongoing project that challenges its artisans – Bezalel, Aholiav, and the assistants – in the very way Sloterdijk describes. The artisans complete the Tabernacle as communicated by Moses in the previous reading of Terumah (Exodus 25:1-27:19). There appears to be recurrent repetition in these later parashot of Exodus — but is this merely repetition? Too often in life, we realize that once we regain something we previously relinquished, we appreciate it as though for the first time. In experiencing repetition, you come to learn that everything that exists does so only by divine grace. In this way, repetition is instructive.

The blueprint for the Tabernacle closes Exodus and thus teaches us an important lesson about our relationship to Torah learning. All the gold, silver, and copper of thinking must ultimately be accounted for in how we construct our lives. How does one go about making a sanctuary – one that provides a space or way for the divine to dwell in everything we do?

Following Exodus and Sloterdijk, consider now that everything each of us does is part of an individual practice that is intimately intertwined with our greater community of practice. This is the closing challenge of Exodus, made to every individual in search of religious community.

– Rabbi Aubrey Glazer

Artwork note: This week’s illustration is inspired by the detailed account of the work carried out by the artisans of the Mishkan. The ancient blacksmith‘s hammer seen here might be similar to that used by Bezalel and his team as they hammered and shaped the copper of the Mishkan‘s altar. Illustration by Christopher Orev Reiger.

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